鋼琴輕鬆談-手指建立&音色表達Aweken your inner pianist

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貝多芬月光奏鳴曲蕭邦幻想即興曲

「對大部分的學生來說，放鬆彈貝多芬的月光第三樂章跟蕭邦的幻想即興曲，是不太可能的事～～」「唯有放鬆，你才能走得長久！」放鬆，對音樂班的學生來說都非常困難，更不用說是普通班學生，他只花了3...

2018-02-27 00:45:48 有 824 人看過有 5 人說讚

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戲謔感如何彈出來？＊上課實況

戲謔感如何彈出來？你可以加快、彈輕一點或加跳躍感，但，空隙是關鍵！有些微妙的變化，可以借由輔助動作完成，貝多芬曲中的戲謔感就這般自然的產生了。...

2018-02-27 00:44:03 有 147 人看過有 2 人說讚

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「手指如何放鬆彈奏」---手指建立系列

臉書粉絲團 https://www.facebook.com/innerPianist/ 由我們五年級的黃稟權爲我們介紹 "手指如何放鬆彈奏"...

2018-02-27 00:43:12 有 3,842 人看過有 24 人說讚

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蕭邦幻想即興曲＊上課實況

身體跟音色之間有微妙的關係。弓箭手運用身體張力產生的動能，輸送到弓箭上，來看看這張力如何輸送到琴鍵。這動作靠向雲端也跟蕭邦的質感有關，如果是貝多芬，力量可能就望地心送去。另外，甜蜜，又不...

2018-02-27 00:42:34 有 975 人看過有 7 人說讚

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貝多芬悲愴奏鳴曲第二樂章第一主題＊上課實況

影片中，這兩種銓釋都很美，但聽起來的感受卻南轅北轍！因演出者的狀態不同第一種具歌唱性，是向外的、流動的。第二種聽起來比較垂直，不如第一種流動，卻多了寧靜的、內省的深度。一廣一深，造成不同的...

2018-02-27 00:42:31 有 147 人看過有 2 人說讚

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貝多芬悲愴奏鳴曲第二樂章＊上課實況

目前除了上課中演奏問題解決的即興影片，我們會作兩個系列，一個是「唱與不唱區別」系列第二個是「特別的銓釋」系列每個人都擁有不同的個性跟特質，就像同學在班上，或公司員工，每個人都是異於他人的獨特，...

2018-02-27 00:38:57 有 191 人看過有 0 人說讚

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貝多芬月光奏鳴曲第三樂章＊上課實況

「不使用漸強？也不使用漸弱？那要怎樣彈呢？」我們上課不常用強弱來表達，力度只是一個指標在貝多芬的曲子中，意志力是關鍵。當你使用意志力來完成時，你對樂曲的認知，跟處理完方式都會大大的不同。學生...

2018-02-27 00:37:37 有 557 人看過有 4 人說讚

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貝多芬悲愴奏鳴曲第一樂章第一主題「特殊的銓釋」（一）＊上課實況

這位同學彈了兩個版本，（第二版本在1:40處）這兩個版本聽起來是截然的不同，在此提供給學琴者參考。第一版本是幾乎按著譜上彈，也是我們比較常聽到的。第二版本則加入了演奏者個人的見解與風格。 ...

2018-02-27 00:36:30 有 188 人看過有 2 人說讚

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巴哈平均律 BWV878 前奏曲＊上課實況

調整觸鍵後，整篇音樂都不一樣了！幸福感油然而生。神奇的觸鍵深深影響著音樂。了解觸鍵的運作，對演奏有很大的幫助。...

2018-02-27 00:33:51 有 199 人看過有 2 人說讚

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巴哈平均律 BWV851 賦格＊上課實況

常開玩笑說，大家把巴哈當成了打字機。（學生一開始彈還真像打字機，直到3分40秒處，從此以後，不會再彈回、也不會再想聽一開始的樣子了）我們來看看巴哈可以怎樣處理？這真的是一條心靈的幽境，透過一句...

2018-02-27 00:33:20 有 118 人看過有 3 人說讚